Ronja, the Robber's Daughter

Ronja, the Robber's Daughter (山賊の娘ローニャ, Sanzoku no Musume Rōnya) is a 26 episode 2D-3D hybrid animated series produced by Polygon Pictures, Studio Ghibli, NHK Enterprises and Dwango and directed and storyboarded by Gorō Miyazaki.

The story is based the Scandinavian kids’ books of the same name written by Pippi Longstocking writer Astrid Lindgren. The series faithfully adapts its source material and has a laid back atmosphere and is similar in tone to Isao Takahata's early television works. Hiroyuki Kawasaki handled the series composition and wrote the scripts, Katsuya Kondō designed the characters, Toshio Suzuki provided the title logo and Satoshi Takebe composed the music. Goro's longtime collaborator, Aoi Teshima performs the series' theme song.

UK-based distributor Serious Lunch has acquired the worldwide distribution rights, except for Japan and Scandinavia. It sought English-language broadcasters and brought the series to potential backers at the 2015 Annecy International Animated Film Festival. Amazon began streaming the series on its Amazon Prime streaming service on January 27, 2017. GKIDS released the series in the United States on August 20, 2019 (distributed by Shout! Factory).

Plot
Ronja, the only child of a bandit chief, grows up among a clan of robbers living in a castle in the woodlands of early-Medieval Scandinavia. When Ronja grows old enough she ventures into the forest, exploring and discovering its wonders and dangers like the mystical creatures that dwell there. She learns to live in the forest through her own strength, with the occasional rescue by her parents.

Ronja has never met another child until after her 10th birthday, when she happens upon a boy her own age named Birk, who turns out to be the son of the rival clan chief.

Characters

 * Ronja (ローニャ Ronya) Voiced by: Haruka Shiraishi (Japanese), Teresa Gallagher (English)
 * Mattis (マッティス, Mattisu) Voiced by: Takaaki Seki (Japanese), Rufus Hound (English)
 * Lovis (ロヴィス, Rovisu) Voiced by: Yuraki Nozawa (Japanese), Morwenna Banks (English)
 * Birk (ビルク, Biruku) Voiced by: Reika Ueyama (Japanese), Kelly Adams (English)
 * Borka (ボルカ, Boruka) Voiced by: Bob Golding (English)
 * Undis (ウンディス, Undisu) Voiced by: Mika Doi (Japanese), Beth Chalmers (English)
 * Noodle-Pete (スカッレ・ペール, Sukarre-Peru) Voiced by: Adrian Edmondson (English)
 * Fjosok (フョーソク, Fyosoku) Voiced by: Shoichiro Akaboshi (Japanese), Rasmus Hardiker (English)
 * Pelje (ペリェ, Perye) Voiced by: Yūsuke Tezuka (Japanese), Rasmus Hardiker (English)
 * Tjorm (チョルム, Chorumu) Voiced by: Takeo Ogawa (Japanese), Rasmus Hardiker (English)
 * Sturkas (ストゥルカス, Suturukasu) Voiced by: Kenji Sugimura (Japanese), Rasmus Hardiker (English)
 * Knotas (クノータス, Kunotasu) Voiced by: Takahiro Shimada (Japanese), Bob Golding (English)
 * Tjegge (チェッゲ, Chegge) Voiced by: Rintarou Nishi (Japanese), Bob Golding (English)
 * Lill-Klippen (リル・クリッペン, Riru-Kurippen) Voiced by: Keiji Himeno (Japanese), Giles New (English)
 * Jutis (ユティス, Yutisu) Voiced by: Giles New (English)
 * Joen (ヨエン, Yoen) Voiced by: Giles New (English)
 * Labbas (ラッバス, Rabbasu) Voiced by: Giles New (English)
 * Tapper (トゥッレ, Turre) Voiced by: Giles New (English)
 * Narrator (語り手, Katarite) Voiced by: Fukiko Endō (Japanese), Gillian Anderson (English)
 * Harpy (鳥女, Tori-onna) Voiced by: Saori Kato (Japanese), Jules de Jongh (English)
 * Gray Dwarfs (灰色小人, Haiiro kobito)
 * Unearthly Ones (地下のものたち, Chika no mono-tachi)
 * Rumphobs (ずんぐり小人, Zunguri kobito) Voiced by: Jonathan Ross and Naomi Freedman (English)

Origins
One of Astrid Lindgren’s favorite books was Walden by Henry David Thoreau, which is all about how the author built himself a dwelling from forest material and tried to live as solitary and simple a life as possible, at a distance from the materialistic city culture from which he had fled. Since Astrid lived in the city she was not able to enjoy nature all the time, but she could be there in her imagination. That’s how the story about Ronja began – with a longing to the forest.

Astrid Lindgren’s entire life had to do with being in tune with nature, something that was closely connected with a child’s intuition and inherent spontaneity. She once said: “If anyone asks me what I remember from my childhood, my first thought is actually not of the people. But of that beautiful environment that framed my days then and filled them with such intensity, that as a grownup you can hardly comprehend it. Wild strawberries among the rocks, carpets of blue spring flowers, meadows full of cowslips, special places where blueberries could be found, the forest where dainty pink flowers were nestling in the moss, the paddocks around Näs where we knew every little path and every little stone, the creek with the waterlilies, ditches, streams and trees – I remember all this more than the people.”

Supernatural Creatures
The natural environment around Ronja is also full of supernatural beings. Primarily it is populated with fantastic, more or less dangerous powers that are out to get you. Researcher Vivi Edström has pointed out that Astrid Lindgren takes up a dialogue with forest romanticism, forest terror and the forest fairy tale tradition. From those fairytales we remember the trolls and the giants, the harpies and the elves. But Astrid created her own mystical forest inhabitants that are reminiscent of traditional fairy tale characters, whilst they also represent something new: grey dwarfs, wild harpies, rumphobs.

Familial Relationships
Besides the natural environment and the forest, there are other themes in the book about Ronja. The male and female theme is very evident in the story: Ronja’s mum Lovis has decided that the child is going to be a girl, and that this girl child is going to be a chief robber is a natural conclusion for both parents. Lovis is a strong image of a woman, a source of life and a role-model for Ronja. Her name is closely related to love. Ronja’s father, Matt is portrayed as the big child of the book whilst Lovis is the one who puts the men to work, drives them out when necessary and makes sure they keep themselves clean and fed. Ronja’s liberation from her parents and the classical coming-of-age theme is another red thread in the novel, as is the Romeo and Juliet story. The love between Ronja and Birk is however not first and foremost a romantic love, but focuses more on soul-mateship and a bonding that emerges out of their common sense of belonging to nature. They “…get affectionately attached to each other”, is how Astrid Lindgren expressed it in an interview in connection with the book release. The most important relationship in the book is actually the one between Ronja and her father, Matt.

Production
Studio Ghibli approached The Astrid Lindgren Company in 2009, with the hopes of turning the story of Ronja into a feature film. By the time the negotiations were finished, however, the Studio had been asked to create a television show for NHK, the public broadcaster in Japan. They felt that Ronja’s story was the perfect fit, and suggested the change to The Astrid Lindgren Company. This was a first for Studio Ghibli, having only created feature films in the past, and they realized that the tighter time frame of a television show would require new techniques for the animation. They teamed up with renowned 3DCG studio Polygon Pictures and production company DWANGO Co., Ltd, to bring this story to the small screen.

In October 2014, the series, called Sanzoku no Musume Rōnya in Japanese, started to air on NHK. It was directed by Goro Miyazaki of Studio Ghibli and produced by Nobuo Kawakami of DWANGO. Since then, it has been named “Best 2D Animated Programme” at the Asian Television Awards, and won the International Emmy Award in the category “Best Kids Animation”. The broadcasting rights are being sold all over the world, and the Swedish version started airing in Sweden in January 2016.

Throughout the production, the producers corresponded frequently with Astrid Lindgren’s family and The Astrid Lindgren Company. In combination with a very faithful reading of the book and immense research into medieval practices in Europe, this correspondence really served to make the story come alive while remaining faithful to the original work. Interestingly, the series still feels distinctly Japanese, and the supernatural beings of Mattis’ Forest are clearly visual heirs to other mystical creatures from Studio Ghibli’s previous productions. A Swedish reviewer puts it like this:

”It is quite clear that Miyazaki has a great sense of affection towards the books of Astrid Lindgren, and in this television series he shows that on every level. Sometimes it feels as though the two of them have been working side-by-side to create something exceptional together, that is how hard it is to separate the two. Miyazaki also manages to do this without forsaking the distinctive voices of both himself and Astrid Lindgren, which gives us a show that combines the visions of two unique creators into something wholly original that stands firmly on its own two feet.”

Inspiration
When I was looking for a book suitable for a new film project, director Goro Miyazaki read many books for children. In a 2017 LA Times interview, he recalled coming across the book Ronja, the Robber’s Daughter. He said, "Many Scandinavian books have been made into animated productions in Japan. For example, Vicke the Viking, The Wonderful Adventures of Nils and Moomin. Isao Takahata and Hayao Miyazaki even once tried to create a film of Astrid Lindgren’s Pippi Longstocking. Japanese viewers and creators, including me, are quite familiar with books for kids from overseas."

In that same interview, Ronja's central focus was described to be a brother-sister relationship rather than a romance. Miyazaki described what inspired him to push through with his adaptation, "More than romance, I first attached great importance to the relationship between a child and her father. I thought that the book emphasizes the relationship between Ronja and Mattis more than that of Ronja and Birk. Also, I was careful when depicting the difference between the affection of children for their parents and the affection of parents for their children." This marked an interesting departure for the younger Miyazaki, who had previously worked on Tales from Earthsea (2006).

"When directing the series, I referred to the cultures of medieval Europe, including central and Eastern Europe, and Russia, and I studied Scandinavian Vikings. Also, I was inspired by my journey to Romania, and my experience in forests when climbing mountains."

Miyazaki even praised the casting of Gillian Anderson as the narrator of the series, "Her gorgeous voice has brought a sense of stability and luxury to the series." Anderson had previously voiced Moro for the English language version of Hayao Miyazaki’s Princess Mononoke (1997). The interviewer then went on to say the series was a hit overseas and had yet to be released in the United States. Miyazaki was optimistic in saying, "I hope that many people have a chance to watch it. Never have we needed mutual understanding more than in the antagonistic age we are experiencing now."

Eventually, Miyazaki was asked to described what influence, if any, did his father have with the project and career thus far. "He has influenced all of my productions, the backbone and spirit of which come from his works. In this regard, he has influenced the show in every way. As far as my professional path, unlike Ronja, I’ve felt remorse for choosing to follow in my father’s footsteps. (laughs)."

Sometime during the series production, producer Toshio Suzuki had confessed to pushing Hayao Miyazaki to look at the first images of the 2D-3D hybrid series, and that the director had been pleasantly surprised by the results. This would go on to push him to produce Boro the Caterpillar.

Planned Sequels
When asked whether future seasons were planned, Goro Miyazaki confessed, "I don’t have any plan to make more seasons. How Ronja and her clan develop and grow, and what kind of lives they lead, will be found in the hearts and imaginations of readers and viewers."

Music
The original soundtrack for the first TV anime series Ronja, the Robber's Daughter (NHK BS Premium) is composed by Satoshi Takebe, who had previously worked on the soundtrack for From Up on Poppy Hill (2011). It contained thirty-five tracks and was released on December 17, 2014 by Pony Canyon Co., Ltd. The insert track, Wolf's Song was composed by Satoshi Takebe, with lyrics by Goro Miyazaki and sung by series cast member Yukari Nozawa.

Release
Ronja, the Robber's Daughter premiered on October 11, 2014 and all 26 episodes was shown until March 28, 2015 on NHK BS Premium. For Goro Miyazaki, it was his first directorial work outside Studio Ghibli. In addition, Studio Ghibli participated as "production cooperation", and Toshio Suzuki served as the project's producer.

Each character is modeled in 3DCG and then animated by adding the texture of the conventional hand-painted style. The series aimed at creating a hybrid that fused CG and hand-painted background art, such as combining the landscape with watercolors and the rivers being animated with CG.

In 2016, Miyazaki won the highest award in the International Emmy Awards / Children's Animation category.

From April to September 2016, it was rebroadcast on NHK E-Tele from 19:25 on Friday.

Related Programs
On October 4, 2014, a TV Special, This is how Ronja is born, the Robber's Daughter was shown NHK BS Premium and general TV. It featured Goro Miyazaki, Masami Nagasawa ,Toshio Suzuki, Nobuo Kawakami, Aoi Teshima, Mari Natsuki. It is moderated by Naoko Suzuki and directed by Akiko Aihara.

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