My Neighbor Totoro

My Neighbor Totoro (となりのトトロ, Tonari no Totoro) is a 1988 Japanese animated fantasy film written and directed by Hayao Miyazaki and animated by Studio Ghibli for Tokuma Shoten. The film—which stars the voice actors Noriko Hidaka, Chika Sakamoto, and Hitoshi Takagi—tells the story of a professor's two young daughters (Satsuki and Mei) and their interactions with friendly wood spirits in post-war rural Japan. The film won the Animage Anime Grand Prix prize and the Mainichi Film Award and Kinema Junpo Award for Best Film in 1988. It also received the Special Award at the Blue Ribbon Awards in the same year.

My Neighbor Totoro received critical acclaim and has amassed a worldwide cult following in the years after its release. The film and its titular character, Totoro, have become cultural icons. The film has grossed over $41 million at the worldwide box office as of September 2019, in addition to generating approximately $277 million from home video sales and $1.142 billion from licensed merchandise sales, adding up to approximately $1.46 billion in total lifetime revenue.

My Neighbor Totoro ranked 41st in Empire magazine's "The 100 Best Films Of World Cinema" in 2010 while Totoro was ranked 18th on Empire's 50 Best Animated Film Characters list. A list of the greatest animated films in Time Out ranked the film number 1. A similar list compiled by the editors of Time Out ranked the film number 3. My Neighbor Totoro was also the highest-ranking animated film on the 2012 Sight & Sound critics' poll of all-time greatest films. The character made multiple cameo appearances in a number of Studio Ghibli films and video games and also serves as the mascot for the studio and is recognized as one of the most popular characters in Japanese animation. Totoro was ranked 24th on IGN's top 25 anime characters.

In 2002, a sequel for the film was released, Mei and the Kittenbus. This has yet to be released outside of Japan.

Plot
In 1950s Japan, university professor Tatsuo Kusakabe and his two daughters, Satsuki and Mei, move into an old house to be closer to the hospital where their mother Yasuko is recovering from a long-term illness. Satsuki and Mei find that the house is inhabited by tiny animated dust creatures called Sootballs - small, dark, dust-like house spirits seen when moving from light to dark places. When the girls become comfortable in their new house and laugh with their father, the soot spirits leave the house to drift away on the wind. It is implied that they are going to find another empty house- their natural habitat.

One day, Mei sees two white, rabbit-like ears in the grass and follows the ears under the house. She discovers two small magical creatures who lead her through a briar patch and into the hollow of a large camphor tree. She meets and befriends a larger version of the same kind of spirit, which identifies itself by a series of roars that she interprets as Totoro. She falls asleep atop the large Totoro, but when Satsuki finds her, she is on the ground in a dense briar clearing. Despite her many attempts, Mei is unable to show her family Totoro's tree. Her father comforts her by telling her that this is the keeper of the forest, and that Totoro will reveal himself when he wants to.

One rainy day, the girls are waiting for father's bus and grow worried when he does not arrive on the bus they expect him on. As they wait, Mei eventually falls asleep on Satsuki's back and Totoro appears beside them, allowing Satsuki to see him for the first time. He only has a leaf on his head for protection against the rain, so Satsuki offers him the umbrella she had taken along for the father. Totoro is delighted as both the shelter and the sounds made upon it by falling raindrops. In return, he gives her a bundle of nuts and seeds. A bus-shaped giant cat (known as the Catbus) halts at the stop, and Totoro boards it, taking the umbrella. Shortly after, their father's bus arrives.

The girls plant the seeds. A few days later, they awaken at midnight to find Totoro and his two miniature colleagues engaged in a ceremonial dance around the planted nuts and seeds. The girls join in, whereupon the seeds sprout and then grow and combine into an enormous tree. Totoro takes his colleagues and the girls for a ride on a magical flying top. In the morning, the tree is gone, but the seeds have indeed sprouted.

The girls find out that a planned visit by Yasuko has to be postponed because of a setback in her treatment. Satsuki, disappointed and worried, tells Mei the bad news, which Mei does not take well. This leads into an argument between the two, ending in Satsuki angrily yelling at Mei and stomping off. Mei decides to walk to the hospital to bring some fresh corn to her mother.

Mei's disappearance prompts Satsuki and the neighbors to search for her. Eventually, Satsuki returns in desperation to the camphor tree and pleads for Totoro's help. Delighted to be of assistance, he summons the Catbus, which carries her to where the lost Mei sits. Having rescued her, the Catbus then whisks her and Satsuki over the countryside to see their mother in the hospital. The girls perch in a tree outside of the hospital, overhearing a conversation between their parents and discovering that she has been kept in hospital by a minor cold and is otherwise doing well. They secretly leave the ear of corn on the windowsill, where it is discovered by the parents, and return home on the Catbus. When the Catbus departs, it disappears from the girls' sight

In the end credits, Mei and Satsuki's mother returns home, and the sisters play with other children, with Totoro and his friends as unseen observers.

Behind the Scenes
Art director Kazuo Oga was drawn to the film when Hayao Miyazaki showed him an original image of Totoro standing in a satoyama. The director challenged Oga to raise his standards, and Oga's experience with My Neighbor Totoro jump-started the artist's career. Oga and Miyazaki debated the palette of the film, Oga seeking to paint black soil from Akita Prefecture and Miyazaki preferring the color of red soil from the Kantō region. The ultimate product was described by Studio Ghibli producer Toshio Suzuki: "It was nature painted with translucent colors."

Oga's conscientious approach to My Neighbor Totoro was a style that the International Herald Tribune recognized as "[updating] the traditional Japanese animist sense of a natural world that is fully, spiritually alive". The newspaper described the final product:

Set in a period that is both modern and nostalgic, the film creates a fantastic, yet strangely believable universe of supernatural creatures coexisting with modernity. A great part of this sense comes from Oga's evocative backgrounds, which give each tree, hedge and twist in the road an indefinable feeling of warmth that seems ready to spring into sentient life.

Oga's work on My Neighbor Totoro led to his continued involvement with Studio Ghibli. The studio assigned jobs to Oga that would play to his strengths, and Oga's style became a trademark style of Studio Ghibli.

In several of Miyazaki's initial conceptual watercolors, as well as on the theatrical release poster and on later home video releases, only one young girl is depicted, rather than two sisters. According to Miyazaki, "If she was a little girl who plays around in the yard, she wouldn't be meeting her father at a bus stop, so we had to come up with two girls instead. And that was difficult." The opening sequence of the film was not storyboarded, Miyazaki said. "The sequence was determined through permutations and combinations determined by the time sheets. Each element was made individually and combined in the time sheets..." The ending sequence depicts the mother's return home and the signs of her return to good health by playing with Satsuki and Mei outside.

The storyboard depicts the town of Matsuko as the setting, with the year being 1955; Miyazaki stated that it was not exact and the team worked on a setting "in the recent past". The film was originally set to be an hour long, but throughout the process it grew to respond to the social context including the reason for the move and the father's occupation. Eight animators worked on the film, which was completed in eight months.

Miyazaki has said that Totoro is "not a spirit: he's only an animal. I believe he lives on acorns. He's supposedly the forest keeper, but that's only a half-baked idea, a rough approximation." The character of Mei was modeled on Miyazaki's niece.

Release
After writing and filming Nausicaä of the Valley of the Wind (1984) and Castle in the Sky (1986), Hayao Miyazaki began directing My Neighbor Totoro for Studio Ghibli. Miyazaki's production paralleled his colleague Isao Takahata's production of Grave of the Fireflies. Miyazaki's film was financed by executive producer Yasuyoshi Tokuma, and both My Neighbor Totoro and Grave of the Fireflies were released on the same bill in 1988. The dual billing was considered "one of the most moving and remarkable double bills ever offered to a cinema audience".

In Japan, My Neighbor Totoro initially sold 801,680 tickets and earned a distribution rental income of ¥588 million in 1988. According to image researcher Seiji Kano, by 2005 the film's total box office gross receipts in Japan amounted to ¥1.17 billion ($10.6 million). The film has received international releases since 2002. Overall, the film has grossed $30,476,708 overseas, for a total of $41,076,708 at the worldwide box office.

30 years after its original release in Japan, My Neighbour Totoro received a Chinese theatrical release in December 2018. The delay was due to long-standing political tensions between China and Japan, but many Chinese nevertheless became familiar with Miyazaki's films due to rampant video piracy.

Localization
In 1989, Streamline Pictures produced an exclusive dub for use on transpacific flights by Japan Airlines. Troma Films, under their 50th St. Films banner, distributed the dub of the film co-produced by Jerry Beck. This dub was released to United States theaters in 1993, on VHS and laserdisc in the United States by Fox Video in 1994, and on DVD in 2002. The rights to this dub expired in 2004, so it was re-released by Walt Disney Home Entertainment on March 7, 2006 with a new dub cast. This version was also released in Australia by Madman on March 15, 2006 and in the UK by Optimum Releasing on March 27, 2006. This DVD release is the first version of the film in the United States to include both Japanese and English language tracks.

Cast
See full /Credits/

Sequel
Mei and the Kittenbus (Mei to Konekobasu) is a thirteen-minute sequel to My Neighbor Totoro which is shown exclusively at the Ghibli Museum. It focuses on Mei and her adventure with the Kittenbus.

Animation Book

 * The Art of My Neighbor Totoro

Release

 * 16 April 1988 - The movie is released in Japanese theaters.
 * 3 August 1988 - The Movie is released onto VHS in Japan by Tokuma Shoten.
 * Spring 1993 - The Streamline Pictures English dub is released in theaters.
 * Summer 1994 - The Streamline Pictures English dub is released on VHS in the United States by Fox Video.
 * 27 June 1997 - The Movie is re-released onto VHS in Japan by Buena Vista Home Entertainment Japan as part of their Ghibli ga Ippai series.
 * Autumn 2001 - BVHE Japan releases the movie onto DVD in Japan, including both the original Japanese and Streamline Pictures dubs.
 * 2002 - The Streamline Pictures English dub is released on DVD by 20th Century Fox Home Entertainment.
 * 2005 Fox's rights to the English dub expire, with Disney taking the rights.
 * 2006 - The Movie is re-released on DVD in the US by Walt Disney Home Entertainment, featuring an all-new dub produced by Disney as well as the original Japanese voice track.
 * 2012 - Walt Disney Studios Japan releases the film to Blu-Ray in Japan, Complete with an all new remastering of the film.
 * 2013 - Walt Disney Studios Home Entertainment releases the film to Blu-Ray in the US.
 * Summer 2014 - Walt Disney Studios Japan re-releases the DVD in Japan, using the HD master.
 * October 2017 - GKIDS/Shout! Factory reissues the movie onto DVD and Blu-Ray in the US.

Trivia

 * My Neighbor Totoro was released in cinemas.
 * This is the only Studio Ghibli film that used Hanna-Barbera sound effects. This was mainly used for the actions of Totoro and his servants.